'Still Alice': Julianne Moore Carries A Heavy-yet-Surprisingly Hollow Film On Her Back
Beau Salant ‘18 / Emertainment Monthly Staff Writer
Still Alice, from the directing team of Richard Glatzer and Wash Westmoreland, is a short, small-scope, low-budget character drama that tells the story of an intelligent, accomplished woman (the aforementioned Alice, played by Julianne Moore) who, shortly after celebrating her fiftieth birthday, begins to show symptoms of early onset Alzheimer’s disease. What follows is a brutal, emotional rollercoaster of a film that delves deep into Alzheimer’s and refuses to hold back from showing the harrowing effects of the disease. In its short a hundred-one-minute runtime, the film pulls heartstring after heartstring as audiences are forced to watch the disease ruin Alice’s life and reduce her to nothing, as well showcasing the crippling effects it has on her family.
Unfortunately, the emperor has no clothes when it comes to the rest of the cast, many of whom could have given these performances in their sleep. Alec Baldwin is solid as Alice’s husband, John, who painstakingly cares for her as her mental state deteriorates, but the role had so much opportunity for additional exploration that Baldwin chose not to go for. We simply see John react to Alice’s pain, and we never get to see the pain that John experiences on his own.Kristen Stewart is the best she has ever been in a film as Alice’s youngest daughter, but her trademark monotonous tone and facial expressions prevent her from exploring her character’s inner feelings as she is forced to cope with the slow loss of her mother. A more expressive actress could have been a real scene-stealer in this otherwise plum role. Lastly, a criminally underused Kate Bosworth does her best in an underwritten role, but she is unable to explore her talents because the script just doesn’t give her the chance.
Ultimately, the draw to this film is Moore’s powerhouse performance. Watching this actress, a reliable presence on screen since the early nineties, at the top of her game in this phenomenal role is an absolute delight, even if the subject matter is quite depressing. The film becomes even more emotional and personal when you find out that co-director Richard Glatzer was diagnosed with ALS just before production on the film began and had to use a text-to-speech app on his iPad to direct the film. Clearly, this is a film that will mean a lot to a wide variety of people, and one that should be experienced for the emotional resonance it procreates with every shot.
Overall Grade: B
Not sure if the reviewer read the book – and, granted, I haven’t yet seen the movie, but the story is from Alice’s perspective and you get very little of the emotional impact from the other characters especially as the disease progresses. She is unable to process that part of her life and the reader is left to imagine how painful it is for her family – but isn’t really ‘shown’ that piece of the story. The reviewer even mentions this in the review so I’m surprised that the reviewer would expect so much more in terms of revelation from those characters – it isn’t the point of the story.