Review: 'The Light Between Oceans' Is Adrift

Jacqueline Gualtieri ’18 / Emertainment Monthly Staff Writer
Although it devolves into a world of soap opera and stereotypes, The Light Between Oceans manages to be an endearing film with a deep and complex storyline. Tom Sherbourne (Michael Fassbender) became a lighthouse keeper when he returned home after World War I and he decided that he needed the isolation. Instead of finding isolation, he found Isabel Graysmark (Alicia Vikander), who becomes his wife and lives on the island with him. After miscarrying their first two children, Isabel discovers a baby girl on a dingy near the shore and convinces Tom to raise her as their own.
The chemistry between Tom and Isabel cannot be denied and they do come across as a beautiful family with their baby girl, Lucy (Florence Clery). It’s Tom, though, who discovers that Lucy’s mother, Hannah (Rachel Weisz) is still out there and is desperate to have her child back. It’s Tom that ultimately makes the final decision on what’s right.
Clery herself does an amazing job as Lucy. Sometimes it’s difficult for such young child actors to truly connect with the audience but it’s hard not to fall in love with her. Your heart breaks when she cries and you constantly just want what’s best for her.
On the other hand, Isabel is anything but cold or composed. Instead, she just seems rather unhinged. It’s hard to feel for her because she doesn’t seem stable at all. It’s horrible that she lost two children, but she stereotypically becomes this somewhat baby-crazy woman. The only things we really know about Isabel are that she kind of plays the piano and that she wanted a lot of children. She’s barely a character at all. She’s a shell that’s filled with thoughts of babies. In comparison to Tom, who also lost two children, she’s remarkably weak, selfish, and petty. Maybe we were supposed to feel sympathy for her, but it’s hard to imagine how.
The Light Between Oceans is a tragic story that could have been a real tearjerker. While it is touching, it’s difficult to imagine the audience really shedding tears over it. Crying comes from sympathy and connection, both of which the film was lacking in. Maybe if Hannah was a little more human or if Isabel was a little less selfish, the audience would truly feel the emotions the story was trying to evoke.
Overall Rating: C
Watch The Trailer:
[embedyt] http://www.youtube.com/watch?v=WqUGVSEyF90[/embedyt]