Review: ’Poltergiest’ Conjures Up Old Scares and Nothing New
Evan Slead ’16 / Emertainment Monthly Movies Editor

Griffin Bowen (Kyle Catlett) is scared of most things. Whether it’s his older sister Kendra (Saxon Sharbino) dropping comments about murderers lurking around or the over abundance of clown dolls in his new room, he can’t seem to shake the feeling that something is about to snap. His parents, Eric (Sam Rockwell) and Amy (Rosemarie DeWitt), have fears of their own in finding a stable job and paying off their ever growing debt. Starting fresh in a new neighborhood seems to be the answer they need and the youngest Bowen, Madison (Kennedi Clements), has no objection to their new abode. Her imaginary friends have taken more of a manifestation in the form of poltergeists. As occurrences with flickering lights and faulty electronics begin to plague the family, the presence of said poltergeists becomes more apparent. Eventually Eric and Amy learn that their home has been built on an ancient burial ground which has left their children free to be manipulated by the spirits of the dead. One night Madison is taken by the ghouls and can only communicate with her family through television sets and lightbulbs. With the help of paranormal investigators, the family seeks a way to bring Madison back from the other side before she walks too far into the light.

The overall plot of this 2015 update is nearly identical to the original film. There have been small changes made, such as using more modern technology and incorporating more CGI trickery to lengthen some scenes. The largest changes essentially take the positive aspects of the original and place them into a different role. In the original, JoBeth Williams was the standout performer as the truly dedicated mother fighting to get her daughter back from death. Craig T. Nelson delivered a solid performance as well, but lacked the spark that JoBeth flashed in every scene. The remake swaps that out as Sam Rockwell eats up the scenery with his charm and creative timing. Rosemarie DeWitt, much like Nelson, is merely backup to the main event.
The other change: giving the brother the role of savior. Griffin is set up as a terrified child, understandably so, and by the end he overcomes his fears to make the ultimate rescue mission for his sister. Thankfully the script gives enough time to Griffin for this change to make proper sense and overall gave the movie a fresh feel compared to the original.

Overall Grade: B-
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