Review
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Review: 'Keanu', Come For the Kitten, Stay For Key & Peele
Madison Gallup ’18 / Emertainment Monthly TV Editor After watching Keanu, the first feature film from Keegan-Michel Key and Jordan…
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Review: 'Mother's Day' Suffers From Underdeveloped Plot
Jacqueline Gualtieri ’18 / Emertainment Monthly Staff Writer If you are looking for a movie to take your mother to and…
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“Finding Molly: An Adventure In Catsitting” Review
Emet Comics delivers once again with Finding Molly both in terms of story and art. Whether you are a cat…
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IFFBoston Review: 'The Hollars' Falls Safely Within the Walls of a Family Dramedy
Maddie Crichton ’17 / Emertainment Monthly Staff Writer The family dramedy has been constructed down to a science. It needs…
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Review: A Triumphant Ode to 80’s Boyhood in ‘Sing Street’
If Carney ever decides to move on from music as a form of cinematic storytelling, consider it a huge loss…
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Review: ‘Elvis & Nixon’ Combines History and Culture with Subtle Humor
The strength of this movie lies in the build up. The film switches between seeing the day through Elvis's shoes,…
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Review: 'The Huntsman' Is the Weariest of Them All
Erin Graham ’19 / Emertainment Monthly Staff Writer It’s ironic that a movie so focused on a mirror finds itself…
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Broadway’s ‘The Crucible’ Resembles Avant-Garde Horror Film
Although Ivo van Hove’s production of The Crucible is not grounded in context, the floating–both literally and physically–only adds to…
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Review: “Goodnight Punpun” Vol.1
Despite some dark moments, Goodnight Punpun Vol. 1 stays fairly lighthearted for a seinen manga and does not have obvious…
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