Review
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Review: 'Blair Witch' Is a Shameful Remake
Ivy Richmond Sears ’19 / Emertainment Monthly Staff Writer Do you remember when The Blair Witch Project came out and…
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Review: Eastwood's 'Sully' Lands Safely
David Stehman ‘17 / Emertainment Monthly Staff Writer On January 15, 2009, the events of the Miracle on the Hudson…
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UnREAL Season Two: Why You Should Be Watching
Annie Lindenberg ’19 / Emertainment Monthly Staff Writer When UnREAL premiered last year, it was a silent surprise to many.…
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'Fallout 4: Nuka-World' Review: The End of 'Fallout 4'
Erik Fattrosso ’17 / Emertainment Monthly Staff Writer It’s been 10 months since Fallout 4 first launched and we finally have its…
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‘Fallout 4: Nuka-World’ Review: The End of ‘Fallout 4’
Erik Fattrosso ’17 / Emertainment Monthly Staff Writer It’s been 10 months since Fallout 4 first launched and we finally have its…
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Review: 'The Light Between Oceans' Is Adrift
Jacqueline Gualtieri ’18 / Emertainment Monthly Staff Writer Although it devolves into a world of soap opera and stereotypes, The Light…
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‘Deus Ex: Mankind Divided’ Review: An Experience the Sum of its Parts
Ben Franchi ’18 / Emertainment Monthly Staff Writer The release of Square Enix’s newest entry in the Deus Ex series, Mankind Divided,…
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'Deus Ex: Mankind Divided' Review: An Experience the Sum of its Parts
Ben Franchi ’18 / Emertainment Monthly Staff Writer The release of Square Enix’s newest entry in the Deus Ex series, Mankind Divided,…
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Review: “Forgive Me, Leonard Peacock” is YA for This Generation
Janii Yazon ‘19 / Emertainment Monthly Staff Writer Forgive Me, Leonard Peacock is the eclectic result of a very specific…
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