Review
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Highlights from the 2024 Oscar-Nominated Live Action Shorts
Mel Jones ‘25 / Emertainment Monthly Staff Writer Advance viewing courtesy of the Coolidge Corner Theater At the Oscars this…
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Beginnings and Endings: Arrival and Its Predecessor
Lila Alonso Limongi ’26 / Emertainment Monthly Staff Writer This is the third time that I’ve sat down to write…
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Review: The Spirit Bares Its Teeth by Andrew Joseph White
Samantha Kavich ‘25 / Emertainment Monthly Staff Writer The Spirit Bares Its Teeth is Andrew Joseph’s White second contribution to…
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The Sweet East Review: To What End?
Francis Rogerson ‘26 / Emertainment Monthly Staff Writer Crafting a frenzied cinematic rebuke to the all-too-common complaint of Gen-Z social…
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Marmalade is Initially Too Sweet but Preserves its Complexity for the End
Max Domel ‘26 / Emertainment Monthly Staff Writer Marmalade, as a food item, is sweet, standard, and simple. Marmalade, the…
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Metal Gear Solid: Kept You Waiting Huh?
Theo Andrews ‘26 / Emertainment Monthly Staff Writer Twenty-five years after its initial release, Metal Gear Solid (1998) and two…
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Madame Web: Stay At Home
Charlie von Peterffy ‘24 / Emertainment Monthly Staff Writer Madame Web is by far the worst installment in Sony’s Spider-Man…
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Madame Web: Stay At Home
Charlie von Peterffy ‘24 / Emertainment Monthly Staff Writer Madame Web is by far the worst installment in Sony’s Spider-Man…
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‘Drive-Away Dolls’ Is a Bawdy, Delightful Queer Crime Comedy From Ethan Coen
John Maescher ‘27 / Emertainment Monthly Staff Writer For the past four decades, the Coen brothers have established themselves making…
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Lisa Frankenstein Does Not Shake the Dead, But Gives Them A Light Stir
Madison McMahon 27’ / Emertainment Monthly Head TV Section Editor Zelda Williams’ directorial debut, Lisa Frankenstein, released February 9, 2024…
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