Review
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Death Note Review
Samantha Parker ’23 / Emertainment Monthly Staff Writer Spoilers ahead. Death Note (2006) is a psychological thriller series and one…
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Why Fear Street Is What’s Next For Horror
Hannah Hughes ‘21 / Emertainment Monthly Staff Writer Many horror fans have conflicting feelings about the emerging sub-genre known as…
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In Defense of Helen and Klytemnestra: A Review of Claire Heywood’s Daughters of Sparta
Vivian Nguyen ‘25 / Emertainment Monthly Staff Writer The legend of Helen of Troy is a well-known one. Immortalized by…
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Daniel Sloss’ Netflix Comedy Special, Jigsaw, is a Must See
Sofia Farres ‘25 / Emertainment Monthly Staff Writer In 2018, Scottish comedian, Daniel Sloss, released his comedy special Jigsaw onto…
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The Zen of Powerwash Simulator
Sprocket Wagner ‘23 / Emertainment Monthly Staff Writer When the “satisfying videos” craze hit the Internet, driven by ASMR and…
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Blue Bayou Moves, but Fails to Stick the Landing
Karenna Umscheid ‘25 / Emertainment Monthly Staff Writer Blue Bayou begins with a lot of promise. There is clearly a…
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A Melodic Debut for The Melodic Blue
By Charlie Williams ’25 / Emertainment Monthly Staff Writer With two acclaimed mixtapes to his name, the pressure was on…
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The Anthropocene Reviewed—How to Fall in Love with the World Again
Renee Lucas ‘23 / Emertainment Monthly Staff Writer In the age of Covid-19 it can be difficult to stay positive.…
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The Card Counter Review – Paul Schrader’s Small Bet, Small Win
Karenna Umscheid ‘25 / Emertainment Monthly Staff Writer Paul Schrader’s latest is not the winning hand at a poker tournament.…
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John Mulaney From Scratch Review
Jordan Sahley ‘23 / Emertainment Monthly Staff Writer It has become clear over the past year that John Mulaney is…
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