Film
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Why Fear Street Is What’s Next For Horror
Hannah Hughes ‘21 / Emertainment Monthly Staff Writer Many horror fans have conflicting feelings about the emerging sub-genre known as…
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Blue Bayou Moves, but Fails to Stick the Landing
Karenna Umscheid ‘25 / Emertainment Monthly Staff Writer Blue Bayou begins with a lot of promise. There is clearly a…
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The Card Counter Review – Paul Schrader’s Small Bet, Small Win
Karenna Umscheid ‘25 / Emertainment Monthly Staff Writer Paul Schrader’s latest is not the winning hand at a poker tournament.…
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Together Review
Josh Carone ‘22 / Emertainment Monthly Staff Writer Marriage Story meets Covid-19 in Together, a marital study from director Stephen…
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The Green Knight Review
Abigail Lee ‘25 / Emertainment Monthly Staff Writer From the outset, The Green Knight mystifies legend. As slyly as it…
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Mass – Fran Kranz’s Tense, Phenomenal Debut
Karenna Umscheid ‘25 / Emertainment Monthly Staff Writer There is something very off-putting about an empty room in a church…
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No Time To Die Review – The Wait Is Over
Skyler Johnson ’22 / Emertainment Monthly Staff Writer After a year of waiting, No Time to Die has finally arrived.…
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“You Will Be Found”…Missing Live Theatre
Abigail Murphy ‘23 / Emertainment Monthly Staff Writer Dear Evan Hansen, rose to fame on Broadway, with some viewers finding…
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From Stage to Screen: Small Engine Repair
There is a long and storied history of turning plays into feature films. These adaptations have recently taken on a…
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Sundance 2021 – The Genre
Jonathan Moore ’22 / Emertainment Monthly Co-President Not just dramas were featured at Sundance this year. Genre ran rampant and had some…
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