Review
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A New World Team Up: Absolute Wonder Woman #15 and Absolute Batman #16 Review WC:
Olivia Lindquist ‘26 / Emertainment Monthly Staff Writer Since the start of the Absolute Universe in DC Comics and the launch…
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Only Murders in the Building Season 5 Review
Emma Londoner ‘26 | Emertainment Monthly Staff Writer Only Murders in the Building has always mixed absurdity, warmth, and mystery…
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‘Eternity’ Takes a Stab at What Awaits Us in the Afterlife (And Aims Straight for Our Hearts)
Gray Gailey ‘27 / Emertainment Monthly Staff Writer A24’s new release, Eternity, which hit theaters on November 26th, is another…
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Wicked: For Good Review
Emma Londoner ‘26 | Emertainment Monthly Staff Writer Wicked: For Good is the long-awaited end to the historic Broadway show’s…
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‘Wake Up Dead Man’ is a Religious Experience (Literally)
Jackson Gagliardi ’27 / Emertainment Monthly Staff Writer With one of the most unnecessarily long titles in filmmaking history, Wake…
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What’s Wright and Wrong With ‘The Running Man’
Dylan Z. Alter ‘29/Emertainment Monthly Staff Writer The Running Man has been revived. Written in 1982 by Stephen King—under the…
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Sentimental Value: Joachim Trier’s Masterful Take on Family and Art
Jake Semmel ‘27 / Emertainment Monthly Staff Writer Joachim Trier’s Sentimental Value is one of those films that doesn’t seem…
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‘Enjoy the Ride’ While You Can: A 502s Concert Review
Olivia Romesburg ‘27 / Emertainment Monthly Staff Writer On October 1st, beach folk band The 502s performed at the House…
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Cage the Elephant Concert: Last show on Tour
Emma Londoner ‘26/ Emertainment Monthly Staff Writer I didn’t expect to go to a Cage The Elephant concert this year…
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Hamnet: The Healing Power of Art and a Serious Oscars Contender
Meghan Boucher ‘26 / Emertainment Monthly Staff Writer To see or not to see? That is the question. The answer?…
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